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Book Review on Monkman

May 15, 2012

Check out my book review in the Spring issue of the American Society of Media Photographer Bulletin on outdoor photographer Jerry Monkman, my first collaboration with the ASMP publication. Thank you, Jill Waterman, for the opportunity.

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The first plastic solar cell (Lilliputian’s suite)

April 20, 2012

Well, a little twist to my last post. My adventures in the tall green grass became a source of inspiration for adding visual to the latest discovery of my scientific husband, the plastic solar cell. His research has just been published in Science magazine and taken over by other scientific publications. A first husband-and-wife collaboration…

ous post. Image

The Lilliputian side of me

February 1, 2012

  The process of making pictures take you sometimes to unexpected places. This was the case for these two shots, where I found myself being a Lilliputian with no neighbor to subdue but just a desire to immerse myself in pure green. To be a little clearer, I just happened to notice in early morning’s reflections of light outside the window, on my lawn. Armed with my camera and a macro lens, I found myself witnessing the life and disappearance of droplets of water. They hang on top of the leaves by some mysterious physical laws, actually less poetically called water adhesion (the property of water molecules to stick to other surfaces and to stay upward against gravity). I did not know it was so beautiful. No science teacher ever told me that.

These two prints are part of an exhibit currently on view at the Decatur Library, in downtown Decatur, along with two other friends and photographers’ work, Jerome Walker and David Foster. We will have an artist’s talk and reception this coming Saturday, February 4th, from 4-5:30pm. Please join in.

Young collectors and exuberant night lifes

January 5, 2012

Two of my articles came out this week in La Lettre de la Photographie (can be viewed  here and here ).

The first one talks about Jennifer Schwartz, who owns a gallery in the westside of  Atlanta. She has started a crusade to encourage her generation to collect art, and especially photographic work. “Collecting art, Schwartz observes, is not in young people’s mind. ‘They care about the image they put together and they care about the cutting edge of hot new things, being original, but nobody is telling them that there is a better way…[My question was] how to make collecting cool.’”

The other article covers the recent work of photographer Forest McMullin on sexual fantasies and BDSM lifestyles. Not exactly what you see in your everyday’s life but quite interesting. “The result is a series that does not leave indifferent. ‘I had a broad range of reactions, when I was showing my work,’ explains McMullin. ‘Some people were very uncomfortable, and some were fascinated. No one expressed to me outrage or repulsion. Discomfort, definitively; fascination, definitively.’ But, he said, in any case, it always started a conversation.” Find out for yourself.

The inspired gardener 2

December 9, 2011

A version 2 of the previous post, retouched with Final Cut Pro X.

The inspired gardener

December 1, 2011

Barry Goldwater the Photographer

October 19, 2011

Big Country, © Barry Goldwater

In the American political landscape, the name of Barry Goldwater stands apart . “Mr. Conservative”, as he was known, drove black sportscars and made international list of best-dressed man. He was known to believe in UFO’s, a free thinker, a conservative Republican whose views on certain subjects would be considered more Liberal or Libertarian than Republican in today’s standards, an avid radio operator, and, interestingly, a passionate photographer.

If Goldwater’s skills remains unknown from the general public, his talents have been recognized in his lifetime by his peers. He belonged to and was recognized by the Royal Photographic Society of London and the Photographic Society of America. Ansel Adams was one of his mentors, and they developed a long and solid friendship. In his introduction to one of Goldwater’s photography’s book, Adams wrote about his friend: “We must always make a clear distinction between the professional and the amateur. Barry Goldwater is, in my opinion, a fine and eager amateur. Some of the best photographers in the history of art have been amateurs, in the sense that they did not live by their avocation. Yet they worked as hard as any competitive photographer in the professional field.”

He had an impeccable eye to portray his beloved state, Arizona, and particularly the Grand Canyon, which he called his “mistress”. He also recorded with his camera the happenings of the political scene. According to his daughter Joanne and granddaughter Allison, whom I met for an interview, there are still piles of unpublished work by the late senator that would be worth seeing.

For more on Goldwater and photography, read my article published today in “La Lettre de la Photographie”

A new address…

September 6, 2011

This is a new site for my work. I am quite excited by the possibilities it will give, so please take a tour and send me your feedback:

www.virginiekippelen.photoshelter.com


In the flat land

July 23, 2011

Chapel, on the road to Cassel

There is not much to distract the eyes along the roads of my natal Flanders, on the northern tip of France. The land is flat (s0me areas are even under sea level) with the exception of a few mounts, that you could as well treat as prominent hills. Parcels of wheat and flax fields provide beautiful hues in the summer light. I don’t miss much from my time growing up in north of France, certainly do not miss the rainy and cold weather and the sadness of the economically distressed cities. No. But whenever I go back, I am always in awe with the beauty of the landscape, the small paved roads, the patchwork formed by uneven fields, the immensity of the flat land reinforced by big skies, “the line of the horizon and the beauty of an atmosphere that endlessly changes, like in some paintings of the 17th century that have marvelously rendered that particular beauty of the North” (from Marguerite Yourcenar).

Lillies of the Flint

June 20, 2011

A large display of shoal spider lillies in the banks of the Flint River, one of the last remaining free-flowing river in Georgia. This image was taken during a recent workshop I took with the Serenbe Photography Center, under the direction of Peter Essick.

Back in the 70′s, this river was the subject of a controversy between environmentalists, who fought to keep this river in its natural state and proponents of the idea of building a dam. Former President and Georgia Governor Jimmy Carter was instrumental in vetoing the dam proposal. As of today, the river is still freely flowing, but it has also earned the sad label of being “number 2 in the top ten most endangered rivers in the United States.” Other interesting fact: it originates, humbly, just under the Atlanta airport…

The white shoal spider lilly is itself listed as an endangered specie in the state of Georgia. Blooming from mid-May to early June, it emits a pleasant flagrance throughout the night. It has also the particularity to generate pecan-sized seeds that sink in the river’s water, rather than float. This allows the seed to penetrate crevices deep in the bottom of the rocky river and to germinate in the shoals rather than in the deep water where they will not survive. Little detail but so revealing of the wonders of nature.

A little gem of the South. For more information on the river and why it needs to be protected, take a look at the work of the FlintRiverKeeper.  

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